I’ve been reading mysteries since I “borrowed” my Grandpa’s Miss Marple’s as an elementary schooler. (And yes, my maiden name really IS Marple) And I’ve always been drawn to smart, competent women characters–even better if they’re funny. Women who do their own fighting and their own detecting and then hand the killer off to the cops with a smile and a great line. These women inspired me–and now I get to write a lady who at least belongs in the room with them!
This book made me love historical mysteries. I absolutely adore the main character, Amelia Peabody, who lives in Victorian times but is very much NOT a Victorian woman: smarter and tougher than the guys and not afraid to own it. Like Amelia, Ancient Egypt has always fascinated me, and I love a good adventure.
The only thing I enjoy more is a will-they-or-won’t-why with whip-smart banter, and Amelia and Emerson deliver there, too. They drew me in immediately, with plenty of historical background, a twisty plot that kept me guessing until the end, and a great romantic payoff, too. I think the Peabody and Emerson books are the best historical mystery series ever. Fight me.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude!
In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he…
The only thing I love more than a classic Golden Age mystery is one with romance and life-or-death stakes. Even better, heroine Harriet Vane doesn’t just sit there waiting for Lord Peter to save her–she jumps right in and works to save herself.
She’s at least as smart as he is and much stronger and more cynical. I love that the guy is the hopeless romantic here. And–no spoilers–the ending is honest and real without being a let-down. Just one of my favorite reads ever.
The sixth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by actor Edward Petherbridge - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
'D. L. Sayers is one of the best detective story writers' Daily Telegraph
Can Lord Peter Wimsey prove that Harriet Vane is not guilty of murder - or find the real poisoner in time to save her from the gallows?
Impossible, it seems.
The Crown's case is watertight. The police are adamant that the right person is on trial. The judge's summing-up is also clear. Harriet Vane is guilty…
I love a quirky small-town mystery with screwball comedy, and this one absolutely delivers–with a wonderful twist: the detective is Sheriff Arly Hanks, a woman forced to go home and start over after a meltdown in the big city.
I love Arly’s intelligence and spirit…and the fact that while she has a gun (and even a bullet or two), she doesn’t need more than her wits and the help of the crazy locals–including her own mother–to catch the killer. She’s my favorite funny, badass woman sleuth.
After a crossbow killing at a cheap roadside motel, Ozarks police chief Arly Hanks finds herself investigating her first murder case.
Her marriage over and career gone bust, Arly Hanks flees Manhattan for her hometown: Maggody, Arkansas. In a town this size, nothing much ever happens, so Arly figures she's safe as the town's first female chief of police-until the husband of one of the local barmaids escapes from state prison and heads for town. And that's not all. An EPA official with ties to polluting the local fishing hole has suddenly vanished off the face of the earth.
Everybody has different reasons for loving VI Warshawski. Here are mine: I love her because she sings opera and does her own fighting. A woman who’s as comfortable singing Coloratura runs as she is socking some creep in the jaw, and it is definitely worth knowing.
I love this series because it’s one of the first in which a woman detective behaves just like a man: solving the crime AND fighting her way out of trouble. And I love that she’s still a very feminine woman in the middle of all that, taking pleasure in dressing up and enjoying herself.
Meeting an anonymous client on a sizzling summer night is asking for trouble. Especially when the client lies and tells V.I. Warshawski he's the prominent banker John Thayer, looking for his son's missing girlfriend. But V.I. soon discovers the real John Thayer's son - and he's dead.
As V.I. begins to question her mysterious client's motives, she sinks deeper into Chicago's darker side: a world of gangsters, insurance fraud and contract killings. And while she must concentrate on saving the life of someone she has never met, it becomes clear that she is in danger of losing her own.
A list of badass women sleuths isn’t complete without Stephanie Plum. I love her humor and determination. And I adore her street smarts and emotional intelligence.
No, she’s not an intellectual heavyweight like some women I’ve mentioned. But I’d argue that her gift for always finding a way to save herself and catch the killer is its own kind of brilliance. And nobody writes a fun fight scene like Evanovich!
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
In the first outing of the Diva Who Duels, Gilded Age opera singer Ella Shane, an Irish-Jewish orphan who found fame and fortune singing “trouser,” or male soprano, roles is playing Romeo when her Juliet drops dead onstage.
Soon, she and the girl’s cousin, a genuine British Duke, are searching the New York theatre scene for clues, with help from Ella’s colorful family and friends, including her cousin and manager Tommy, a former boxer and “not the marrying kind,” her newspaper reporter pal Hetty, and fellow diva Marie. Before it’s over, Ella will find herself drawn to the Duke and dueling the killer on a catwalk…and it’s anybody’s guess which is more dangerous!
About myself: As a novelist I’m crazy for detail. I believe it’s the odd and unexpected aspects of life that bring both characters and story worlds to life. This means that I try to be an observer at all times, keeping alert and using all five – and maybe six – senses. My perfect writing morning begins with a dog walk in the woods or on a beach, say, while keeping my senses sharp to the world around me and listening out for the first whisper of what the day’s writing will bring.
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of losses, and the dangerous and peculiar circumstances people find themselves in, sexual mores have become shaken and stirred.
But what happened after the war, in the time of healing and settling down? This novel examines the emotional, romantic, and sexual lives of three characters searching for a way to proceed.
Love never dies in this novel by “a writer of addictive emotional thrillers” (The Independent).
Told from three perspectives A Particular Man is about love, truth and the unpredictable consequences of loss.
When Edgar dies in a Far East prisoner-of-war camp it breaks the heart of fellow prisoner Starling. In Edgar’s final moments, Starling makes him a promise. When, after the war, he visits Edgar’s family, to fulfil this promise, Edgar's mother Clementine mistakes him for another man.
Her mistake allows him access to Edgar’s home and to those who loved him, stirring powerful and disorientating emotions, and embroiling him…
